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Interactive Copywriting: The Difference

November 25, 2008 2 comments

Deal with it, advertisers. Interactive copywriting differs from traditional copywriting. But how?

First: Don’t throw out the baby with the soggy diaper. Declaring yourself an interactive copywriter requires you to master the skills of traditional copywriting. If you’re going to enjoy success in this business, you still must be able to:

  • Concept with an interactive designer or art director
  • Come up with 9,003 big ideas and executions
  • Endure dirty looks from creative directors
  • Come up with better big ideas and executions
  • Write smart, compelling, conceptual copy

That’s hard. No matter what kind of copywriter you call yourself, chances are good you’ll need to attend an advertising portfolio school or take a concentrated, mentor-guided journey before landing that first job. Building up to interactive copywriting requires mastery of additional considerations:

1.    Your audience cares. (Hallelujah!)
Because online and mobile initiatives require active participation, people reading your bullet points, listening to your podcast or watching your spot hold you to a higher standard. You must be able to answer their questions and make them smarter. This means you must be able to weave conceptual solutions with meaty, often expletory, content.

2.    Your audience needs you to be good at Jenga.

Interactive copywriting is how we create choose-your-own adventure stories for corporate America. It doesn’t matter how well you can write. If you can’t create (or collaboratively understand) site maps and information architecture, you’re ignoring user experience. Your copy will fail. In other words, you’ve got to keep a beanie and a pocket protector in your soul.

3.    Your audience wants to be told what to do.
Yes, traditional copywriting includes calls to action. But you’re not trying for a point-something percent response rate. Part trail guide and part waiter, you must eliminate guesswork and name action steps clearly and compellingly. Tell them to open the e-newsletter, download the widget or bookmark for a time when their boss isn’t peering over their shoulder.

4.    But, your audience wants to tell you what to do.

As a wise mentor put it, interactive isn’t another media space for messages. It’s fundamentally changing the nature of branded conversation. Your audience wants to take part in your creations. Allow them to customize, personalize and navigate their own journey with your brand. Give them space to speak up.

5.    Your audience is ready to run with the message.
Perhaps you’ve heard of the term viral marketing? Or social media? Meaning your boss wants you to crank out a blockbuster right now? In order for someone to pass along your message, you must make it compelling (hilarious, unusual or somehow otherwise relevant), customizable and somehow better when shared.

Interactive copywriting adds distinctly new skills to the traditional bread and rum butter of Mad Men-esque copywriting. That’s cool. After all, geek is the new glamorous.

Related Post:

deal with it: interactive copywriting is different.

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deal with it: interactive copywriting is different.

February 27, 2008 8 comments

ematsonWe are thrilled to welcome Erin Matson as a guest blogger for Online Marketing Mavens blog. She is a writer and activist. She is currently a Senior Interactive Copywriter at an advertising agency and on the Board of Directors at National Organization for Women. You may also enjoy her blog, radtothemax.com in which she challenges us to feel things, think about issues, and ideally help her advance women’s rights. We are smarter for knowing her.

My friend thinks my job sucks. I think he sucks and you should, too (at least if you want your business to succeed).

Thing is, my friend and I have the same job – if you ask him. Recently I did over instant messenger. “Erin, I’m not trying to offend you,” he said as we chatted from our respective advertising agencies. Then he told me interactive copywriting is traditional copywriting with lower standards.

I’m not offended. I know most Big Deal Creative Directors of Today, many of them Big Deal Copywriters of Yesterday, reward that attitude. Those guys hire my friend and give him raises when he says that.

Not for long.

If you’re strong enough not to get seduced by the open bar at insider award shows (or are an unusually clairvoyant drunk), you know that the biggest deal in advertising remains what it always has been: the customer. Sadly, that customer rarely gives a millisecond for even the award-winning headlines, TV and radio spots.

Enter neat-o! Customers, prospects and lonely people with insomnia actually pay attention to interactive. That means copywriters, creative teams and businesses contracting advertising agencies can use their work to influence the market side of marketing. Add that up: Interactive is on the cusp of becoming a bigger deal.

I’ll agree with my friend that most interactive copywriting sucks right now, but I think the entire polarized nation could agree that most advertising copywriting sucks harder than an aardvark on top of the ant community’s Kilimanjaro. If we do have the same job it’s to write as hard as we can. People don’t care about any form of writing unless it’s spot-on. That’s hard to do.

So I’m not offended. I know my friend will figure out that he needs to care about interactive copywriting within the next few years, and he’ll give me a call for tips then. There are a few things that are different. I’ll deal with them in a future post here.